The Bush Theatre’s new season has started off with a blast – Javaad Alipoor’s The Believers Are But Brothers was a brilliant and totally unique piece, and now their current show The B*easts is a compelling exploration of modern-day parenting and the sexualisation of children. Written and brilliantly performed by Monica Dolan, it is engaging and uncomfortably relevant to contemporary culture.
Therapist Tessa (Dolan) is working on a case about Karen, a mother who allowed her daughter Leila to have breast implants at aged 8. Tessa explains that the girl showed an interest in wanting breasts from 3 years old, constantly clutching at her mum’s fashion magazines, pointing at the women. As Leila grew up, her wish grew stronger, and finally, her mum decided to give her daughter what she wanted. When people found out, Leila was taken into care and her mother was arrested. Now it’s up to Tessa to asses Karen, but trying to figure out who is to blame for the sequence of events is not very black and white.
The story is captivating, and with every dark new detail, you yearn for more, which Dolan delivers perfectly. Her performance is mesmerising, keeping the audience hooked on her every word. James Button’s design keeps her at the centre of the stage, the perfect position for the storyteller to maintain attention easily throughout the monologue, which feels completely effortless for Dolan.
There is no clear conclusion in the end, just the disturbing fact that even though the details in Dolan’s story are very extreme and heightened, we are heading towards a society where the extreme is becoming normal. The B*easts makes you question society’s obsession with policing women’s bodies, overly sexualising women, and how this actually affects children and young people. With a fantastic story full of sinister truths and dark humour, and an exceptional performance from Dolan, The B*easts is unmissable.
The B*easts is at the Bush Theatre until 3rd March.