In this hour long dark comedy, Maud Dromgoole displaces the mythical stories of Persephone and Eurydice into the present, using these characters to explore the roles of women in modern society. Even though it starts off slowly, the striking images that appear throughout Acorn allows the play to pick up momentum, making it an enjoyable piece.
The play follows Eurydice as she prepares for her wedding day, excited to spend the rest of her life with her new husband. At the same time, Persephone, a Doctor, goes from patient to patient, trying to improve her bedside manner, which she is told she lacks. It seems as though these two women are worlds apart, but slowly their stories begin to intertwine, and when a snake-bite brings the two together, death becomes their shared destiny.
The performance is hard to follow at first, even though Deli Segal as Persephone does her best in delivering the beginning monologue. But once the actors get into their stride, Dromgoole’s writing falls into place. Segal portrays the comedic elements of her character with strength, delivering her sarcasm brilliantly. Equally Lucy Pickles performs Eurydice’s humour with style, and it’s a joy to watch the two interact. Tatty Hennessy’s direction is fluid, which makes even the hard to understand scenes visually pleasing to watch. Additionally Tom Pearson’s projections combined with Matthew Strachan’s original score adds a sinister layer to the play, emphasising its ancient Greek influences.
In Greek mythology Persephone is the queen of the underworld, and the fact that she is presented as a doctor in the play is an unusual approach to the character, but a welcome one that challenges the concept of death. Dromgoole successfully manages to adapt the two women into a setting that makes them relatable, creating a very satsifying piece. Although it can be easy to lose track at times, the energy and imagery created by the performers makes Acorn worth your time.
Acorn is at The Courtyard Theatre until 29th October.