Written and performed by Delia Olam, Just Let the Wind Untie My Perfumed Hair (or Who is Tahirih) details the story of the 19th Century Persian poet Tahirih who defied societal expectations and took the firsts step in challenging inequality. Performed with eloquence and beautiful poetry, Olam’s one-woman show powerfully showcases the life of this poetess.
In 19th Century Iran, women are forced to be obedient to the men around them, and are expected to be good wives and mothers. But Tahirih has had enough of this powerlessness. She writes poetry, defying the men around her, fighting for true equality. When she takes off her veil to reveal her face, which is an illegal act, her execution is demanded. Throughout the show we hear from Tahirih’s father, friend, servant and executioner, who paint a rebellious picture of her, until finally she is martyred.
Olam’s writing is tender and her characterisation is effective. Tahiri’s father is the most touching character, with his conflicting views drawing mixed emotions from the audience. While he is proud of his daughter’s thirst for knowledge, he can’t help but interpret her intelligence as rebellion. His thoughts are also shared by the other members of the community, creating a heartbreaking story. The most evocative elements of the piece are the musical points in-between each scene. Tahirih’s poetry is fused with the sounds of a cello and Appalachian dulcimer, performed beautifully by Olam. The play is haunting and Tahirih’s suffrage is powerful. Her words “you can kill me as soon as you like but you cannot stop the emancipation of women” will stay with you even after you have left.
Just Let the Wind Untie My Perfumed Hair (or Who is Tahirih) is at Assembly George Square Studios until 29th August.