It is always a challenge to find a new approach to any Shakespeare play, and when the Fringe boasts of over 10 productions and adaptations of Macbeth, it can be hard to stick out from the crowd. But when a group of 17-21 year olds from Hackney get together, they’re able to bring a breath of fresh air to Shakespeare’s play.Set in the cutthroat world of the British music industry, TWIST Theatre Company’s Macbeth is an exciting and energetic musical adaptation that does not disappoint.
Duncan King (Kieran Smith), founder of the music label King Records, has worked his way up from a poor London Estate, to owning a successful business in the British Music Industry. Duncan has helped talented young people from his estate also achieve success, like friends Macbeth (Andre Fyffe) and Banquo (Ryan Yengo). When the Witches, a group of three rejected female artists, make predictions about Macbeth and Banquo’s futures, the two brush the young women off. However, as Macbeth’s first prophecy is fulfilled, he becomes determined to do all he can to make sure he gets to the top of King Records as predicted by the Witches. Encouraged by his partner-in-crime Lady M (Malika Cholwe), Macbeth decides to do all he can to achieve this goal, even if that includes murdering those close to him.
Chowle is the stand-out performer as Lady M. Her beautifully smooth voice exerts power on stage, easily influencing Macbeth’s choices. Similarly the Witches, performed by Dominique Florent-Lee, Shadale Grant and Kali Mcloughlin are outstanding. The hiphop, R&B and Grime influenced music allows the company to play around with Shakespeare’s text, rhythmically weaving it into modern-day London. In particular, the use of Afrobeats during the Witches’ potion scene is very enjoyable to watch, especially as the dancing seemingly intensifies their supernatural power. Like Fyffe and Yengo’s skillful rapping, the Witches use music as a way to strengthen their bond, unity and power.
TWIST Theatre Company’s Macbeth cleverly infuses poetry with music, dance and comedy to create a fresh new adaptation. While highlighting the dog-eat-dog world of the music industry, the company showcases their immense talent and very visible love for performance, producing a great musical. To top it all off, the show ends with a step dance, so what’s not to like?
Macbeth is at C (+1) until 20th August.